ME影院提供的《供品夫人》是一部英语动作片,是由劳伦斯·菲什伯恩,杰夫·高布伦,查尔斯·马丁·史密斯等演员在导演美国的指导带领下共同拍摄完成后于1992年发行。
除《供品夫人》影片之外，这里有包括电影电视剧动漫综艺类目等所有影片，尽在ME影院,由网友上传。
百度网友评价：《{供品夫人》这部作品在展现社员们的表演也十分出色，他们通过生动的表演将角色的内心世界和社会会冲突方面十分深刻，让观众在观影过程中对社会问题有了更加深入的了解。编剧在创作时注重探讨社会问题和人性弱点，使得故事更加具有现实意义和思考价值。同时，演冲突展现得淋漓尽致。
抖音网友评价：《供品夫人》中的画面制作十分精良，无论是室内布景还是室外景观都充满了匠心独运。导演在拍摄时注重展现画面的美感和艺术感，使得观众在观影过程中既能够欣赏到美丽的画面又能够感受到故事的情感氛围。
供品夫人剧情介绍:Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller. The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters. Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge. However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
