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洗牌

0.0分 / 剧情片 / 日本 / 1981

剧情介绍

ME影院提供的《洗牌》是一部日语剧情片,是由中岛阳典,Tatsuya,Mori,室井滋等演员在导演日本的指导带领下共同拍摄完成后于1981年发行。 除《洗牌》影片之外,这里有包括电影电视剧动漫综艺类目等所有影片,尽在ME影院,由网友上传。 百度网友评价:《洗牌》这部作品在展现社员们的表演也十分出色,他们通过生动的表演将角色的内心世界和社会会冲突方面十分深刻,让观众在观影过程中对社会问题有了更加深入的了解。编剧在创作时注重探讨社会问题和人性弱点,使得故事更加具有现实意义和思考价值。同时,演冲突展现得淋漓尽致。 抖音网友评价:《洗牌》中的画面制作十分精良,无论是室内布景还是室外景观都充满了匠心独运。导演在拍摄时注重展现画面的美感和艺术感,使得观众在观影过程中既能够欣赏到美丽的画面又能够感受到故事的情感氛围。 洗牌剧情介绍:

典型的早期日式朋克电影,黑白影像+连续而晃动的手提摄影+朋克乐,石井当年就是以此片出道的。。。                                                                      This extremely hectic and nearly headache-inducing short by the Japanese punk demigod Sogo Ishii is definitely one of the craziest and most experimental art-house movies I ever had the pleasure of seeing on a big screen (during a special revolving on the director).                                                                      After the two hugely different but already influential long-feature films "Panic High School" and "Crazy Thunder Road", Ishii finally made the punk-short he clearly dreamed of making ever since the beginning. "Shuffle" is based on comic strip and doesn't really have a story to tell. The camera just very creatively follows a man as he's running out of his apartment and down the streets. He's running from the cops, because he murdered his girlfriend, but he's also running towards the pimp who stole her from him, for vengeance. 30 minutes of playtime only to depict a man running down some streets seems long, but Ishii somehow manages to make it fascinating by presenting a non-stop series of imaginative camera tricks, lighting techniques and unique sound-editing. The visuals are groundbreaking and far ahead of their time. The colors continuously fade out and back in, the camera is put in every possible perspective there is and the music is really loud and stimulating. "Shuffle" often looks like an exercise for Ishii's next big project "Burst City" and it definitely was a great source of influence for future Asian filmmakers like Takashi Miike and Shinya Tsukamoto. You can't really call it a great film, because there are almost no dialogs or character drawings, but it surely guarantees half a hour of adrenalin-rushing spectacle.

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