心中的故乡 HD中字

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分类:剧情片 韩国 1949

导演:尹龙奎   

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剧情介绍

ME影院提供的《心中的故乡》是一部韩语剧情片,是由Choi,Eun-Hee,,Byeon,Ki-Jong,,Yoo,Min,,Kim,Seon-Young,,Seok,Keum-Seong,,Nam,Seung-Min等演员在导演韩国的指导带领下共同拍摄完成后于1949年发行。 除《心中的故乡》影片之外,这里有包括电影电视剧动漫综艺类目等所有影片,尽在ME影院,由网友上传。 百度网友评价:《{心中的故乡》这部作品在展现社员们的表演也十分出色,他们通过生动的表演将角色的内心世界和社会会冲突方面十分深刻,让观众在观影过程中对社会问题有了更加深入的了解。编剧在创作时注重探讨社会问题和人性弱点,使得故事更加具有现实意义和思考价值。同时,演冲突展现得淋漓尽致。 抖音网友评价:《心中的故乡》中的画面制作十分精良,无论是室内布景还是室外景观都充满了匠心独运。导演在拍摄时注重展现画面的美感和艺术感,使得观众在观影过程中既能够欣赏到美丽的画面又能够感受到故事的情感氛围。 心中的故乡剧情介绍:Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

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